What wondrous life is this I lead!
anole
Bas vert
Cinderella:
She is shaped by desire into an instrument for dancing.
Come hither: the theory of the over-the-shoulder shot
Mirror: an owner’s manual
Mr. Nagel said his wife was particularly attuned to her own appearance.
“It was a matter of great attention,” he said. “She thought it was an art.”
She believed, Mr. Nagel added, that people should be concerned with how they look from all angles: “She thought you should always use the double mirror before you leave the house.”
— Thomas Nagel, on his late wife Anne Hollander. http://www.nytimes.com/2014/07/09/style/anne-hollander-scholar-of-style-dies-at-83.html
“It is wise and safe to follow an instinct so strong and deep-rooted, so natural and impulsive.”
With thanks to James Vaughan, who posted the Cadillac advertisement to his X-Ray Delta One site on Flickr.
She experiences a want / That image satisfies
The poem by Emily Dickinson is “A charm invests a face.” The two words you probably can’t read are “beheld” in line 2 and “interview” in line 7.
Having learned green by touch, she lets it color her body and makes her entrance
International Art English >>—> International Freshman Photography English
e-flux, July 19, 2013:
A piece for one voice and a piano, FIEND essentially imbricates two performances into one. Utilizing the stage of the National Theatre as an archaic structure of uttering truths by means of pathos and illusion . . .
Simultaneously unfolding on stage, John Tilbury will add to, interfere with and oppose the artist’s reading . . .
Imbricating, the performer simultaneously unfolds. Then she utilizes her unfoldedness by uttering its pathetic truth:
