International Art English >>—> International Freshman Photography English

e-flux, July 19, 2013:

A piece for one voice and a piano, FIEND essentially imbricates two performances into one. Utilizing the stage of the National Theatre as an archaic structure of uttering truths by means of pathos and illusion . . .

University of Chicago Press, 2013

Simultaneously unfolding on stage, John Tilbury will add to, interfere with and oppose the artist’s reading . . .

Imbricating, the performer simultaneously unfolds. Then she utilizes her unfoldedness by uttering its pathetic truth:

Anne Sexton, “Doors, Doors, Doors”


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