Monet’s haystacks are a pastoral technology. Unchanged in form since the mummy god Osiris taught men to plant seeds in the earth, they remain still on the earth while the wheeling light passes over them. It is from such stillness under change that we have become aware of time.
This image is a Monet landscape, but its pastoral imagery is now shrunken almost to unnoticeability. High and large in the foreground and, as the image’s title says, ascending, a new technology is sending unchanging shadow back up to the sky from which changing light once descended unchecked, bringing with it life and death in seasonal alteration. Linear Marinetti history is superseding cyclical Monet history. A hundred years ago, says this historical record, death was on the rise.
Source: Aufstieg eines Jagdflugzeuges (“Ascent of a fighter plane”), Austria-Hungary, about 1917. National Library of Austria, http://www.bildarchivaustria.at/Pages/ImageDetail.aspx?p_iBildID=4814016. Photoshopped.
Background: anonymous Vorticist drawing, 1916.
The euphemistic word:
President Trump grew frustrated with lawmakers Thursday in the Oval Office when they discussed protecting immigrants from Haiti, El Salvador and African countries as part of a bipartisan immigration deal, according to several people briefed on the meeting.
“Why are we having all these people from shithole countries come here?” Trump said, according to these people, referring to countries mentioned by the lawmakers.
Trump then suggested that the United States should instead bring more people from countries such as Norway, whose prime minister he met with Wednesday.
—The Washington Post, January 11, 2018
The euphemism glossed:
Photoshopped. The titles translate as “The SS championship” and “Germanic Norway.” For information about the Norwegian Nazi artist Harald Damsleth, see http://jonathan-morse.blogspot.com/2010/01/home-front-art-familiarizing-defamiliar.html.