Commercial appeal:

thou wast not born for death. Printed on a small surface, a poem addressed to a bird told the bird so. But then the bird entered the past tense, leaving the poem behind in the present. Said the poem to itself, silently: “Fled is that music.”

Afterward, on a large surface, these other words were printed:

“cheese-box”

Head-Phone

Watcher-of-the-Silent-Places

Quote:

Silently, on their paper, for the time that was then being, they were a promise of something not on the paper: unsilence. But they were nouns, not verbs. They were a promise that could be but not be made. Listen in again, a century later, and confirm: promised unsilence has failed to descend over the Port-of-Missing-Men. The promise’s  typographical manifestation, this decor of quotation marks and hyphens and capital letters, is a written language, not a spoken language. Just above its surface, the air is still still.

Magic casement: fabric and fur on breathing flesh, with portal into the dark

John Vachon, April 1938, “Untitled photo, possibly related to: Sharecropper and sharecropper’s dog. North Carolina.” U.S. Farm Security Administration / Office of War Information Black & White Photographs, Library of Congress, https://www.loc.gov/pictures/item/2017716964/. Contrast and detail post-processed. Don’t forget to click “Browse neighboring items by call number.” About the hole in the negative which marked an image for exclusion from the FSA collection, see Alex Q. Arbuckle, “1930s ‘Killed’ Photographs,” https://mashable.com/2016/03/26/great-depression-killed-photos/.