Sometimes a lantern moves along the night.
That interests our eyes. And who goes there?
I think; where from and bound, I wonder, where,
With, all down darkness wide, his wading light?
— Hopkins, “The Lantern out of Doors”
lizard
Having learned green by touch, she lets it color her body and makes her entrance
Elizabeth, je t’embrasse
International Art English >>—> International Freshman Photography English
e-flux, July 19, 2013:
A piece for one voice and a piano, FIEND essentially imbricates two performances into one. Utilizing the stage of the National Theatre as an archaic structure of uttering truths by means of pathos and illusion . . .
Simultaneously unfolding on stage, John Tilbury will add to, interfere with and oppose the artist’s reading . . .
Imbricating, the performer simultaneously unfolds. Then she utilizes her unfoldedness by uttering its pathetic truth:
Hommage à Elia Kazan, auteur de « Splendor in the Grass »
Motivational poster
She reads Anne Sexton
Anne Sexton, “Doors, Doors, Doors.” Click to enlarge.
Orpheus, generalized to the inhuman
- The arrival
- The descent
- The look back
Click to enlarge.
Accomplished fingers begin to play
Click to enlarge.
A la barre: préparation, positions des mains, et attitude
Click to enlarge.