Ostensibly a work of modern non-fiction, Martin Heidegger’s autobiographical essay “Why Do I Stay in the Provinces?” (text below) is written in the language of a pastoral genre that had been popular in Germany since the nineteenth century: the novel of blood and soil (Blut und Boden), “which idealized its subject and painted the mythology of peasant life, far from the crossroads of the world” (Mosse 138). During the Third Reich the genre was cultivated like an agribusiness crop, and as its formulas became part of the vocabulary of the state they acquired a derisive nickname, Blubo. Heidegger himself disliked the term Blut und Boden, but the narrator of his essay speaks its language like a native.
“Why Do I Stay in the Provinces?” was published in 1934. As of 2015, many wars and a holocaust later, an international consortium of astronomers is attempting to build a great telescope atop Hawaii’s 14,000-foot extinct volcano Mauna Kea, one of the world’s premier sites for an observatory. However, the road to the construction site is being intermittently blocked by a group of native Hawaiian cultural practitioners who claim that to build anything atop Mauna Kea except altars to the volcano goddess is (as their media releases put it) a desecration. Speaking of desecration, Heidegger’s great object of hate René Descartes wrote a theory of the telescope, and I’m sure that if Heidegger were in Hawaii now he’d be up there at the roadblocks himself.
As he raised his voice in a chant of protest, he’d be joined by some of my post-colonialist colleagues from the University of Hawaii. For them and for Heidegger, then, this collegial contribution in the rational language of Descartes and Photoshop. It depicts the mountain hut where Martin Heidegger grew his deep thoughts out of the Boden. One peak higher, goddess willing, will arise the Thirty Meter Telescope.
George Mosse, ed. Nazi Culture: Intellectual, Cultural and Social Life in the Third Reich. New York: Grosset & Dunlap, 1966.
Heidegger’s “Why Do I Stay in the Provinces?”: