In every sense, red

Tempest: the leap

Marienbad: the refineries

Second chance at seeing: a theory of multiple exposure

Emily Dickinson, “The admirations and contempts of time,” Fr830. Contrast and detail restored. The mark before “Tis” is not an apostrophe but the hole that Dickinson made with her needle when she sewed this poem into its fascicle. Emily Dickinson Archive, https://www.edickinson.org/

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Airfoil study, Emerald City

Motion as metaphor

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Libretto: Edith Sitwell, Façade, XIII, “Polka”

https://www.youtube.com/watch?v=3-HNJcnSgf0

Lightfactory

She takes wing to Charleston! Charleston!

Elixir